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		<title>CD: THE COMPLETE WOLVERINES: 1924-1928: FEATURING BIX Beiderbecke and Jimmy McPartland: Off the Record OTR-03.  Ordering details: sales@archeophone.com</title>
		<link>http://www.rustbooks.com/reviews/?p=241</link>
		<comments>http://www.rustbooks.com/reviews/?p=241#comments</comments>
		<pubDate>Wed, 16 May 2012 12:19:18 +0000</pubDate>
		<dc:creator>Malcolm</dc:creator>
				<category><![CDATA[CD reviews]]></category>
		<category><![CDATA[Classic Jazz]]></category>

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		<description><![CDATA[These are times to go back to basics.  This CD, together with the two other issues in Archeophone’s OTR series, the 1923 Olivers and Cabaret Echoes: New Orleans Jazzers at Work, 1918-1927, is as good a representative of the basics as you’ll get. I understand that for most readers, the experience of hearing this music [...]]]></description>
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		<title>CD: WEST END JAZZ BAND presents BURNIN’ THE ICEBERG plus  more Hot Dance and Jazz of the 1920’s &amp; 1930’s.  Rivermont BSW-2216</title>
		<link>http://www.rustbooks.com/reviews/?p=239</link>
		<comments>http://www.rustbooks.com/reviews/?p=239#comments</comments>
		<pubDate>Wed, 16 May 2012 12:15:38 +0000</pubDate>
		<dc:creator>Malcolm</dc:creator>
				<category><![CDATA[CD reviews]]></category>
		<category><![CDATA[Contemporary]]></category>

		<guid isPermaLink="false">http://www.rustbooks.com/reviews/?p=239</guid>
		<description><![CDATA[Mike and Leah (LaBrea) Bezin have been a feature of the Chicago Jazz scene and the Bixfest in Racine (and surrounding area) for more or less as long as any of us care to remember.  They run a helluva good show with the West End Jazz Band, and part of the joy of being around [...]]]></description>
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		<title>CD: IRVING AARONSON AND HIS COMMANDERS: “Let’s Misbehave” 1926-1828”  Rivermont BSW-1155.  Order at www.rivermontrecords.com.</title>
		<link>http://www.rustbooks.com/reviews/?p=234</link>
		<comments>http://www.rustbooks.com/reviews/?p=234#comments</comments>
		<pubDate>Wed, 16 May 2012 11:58:39 +0000</pubDate>
		<dc:creator>Malcolm</dc:creator>
				<category><![CDATA[CD reviews]]></category>
		<category><![CDATA[Classic Jazz]]></category>
		<category><![CDATA[Jazz Age Vocal]]></category>

		<guid isPermaLink="false">http://www.rustbooks.com/reviews/?p=234</guid>
		<description><![CDATA[This is the first of four CDs to document the full output of one of the dance bands that most typify the Tin Pan Alley 1920’s sounds, in this case on Edison and Victor records.  Rivermont has beautifully remastered the first 25 sides issued by the band led by Aaron Aaronson (he had adopted the [...]]]></description>
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		<title>CD: BOARDWALK EMPIRE VOL. 1: Music from the HBO® Original Series: Elektra 528265-2.  Featured at http://vincegiordano.com.  Order from vincegiordano@optonline.net</title>
		<link>http://www.rustbooks.com/reviews/?p=232</link>
		<comments>http://www.rustbooks.com/reviews/?p=232#comments</comments>
		<pubDate>Wed, 16 May 2012 11:56:02 +0000</pubDate>
		<dc:creator>Malcolm</dc:creator>
				<category><![CDATA[CD reviews]]></category>
		<category><![CDATA[Classic Jazz]]></category>
		<category><![CDATA[Contemporary]]></category>

		<guid isPermaLink="false">http://www.rustbooks.com/reviews/?p=232</guid>
		<description><![CDATA[The fact that this CD is largely the work of Vince Giordano and His Nighthawks is recommendation enough.  “But wait:” as the infomercials forever tell us, “there’s more; we’ll double your order!” Throughout my youth, I listened to British trad bands, Bunk Johnson and the Dutch Swing College, in a vain search for something that [...]]]></description>
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		<title>CD: RUE DES RADIS  &#8211; THE RAMBLERS IN BRUSSEL 1945-1948: Stichting (Foundation) Doctor Jazz DJ-007.  Order from http://www.doctorjazz.nl/data/ceedee.html</title>
		<link>http://www.rustbooks.com/reviews/?p=203</link>
		<comments>http://www.rustbooks.com/reviews/?p=203#comments</comments>
		<pubDate>Thu, 26 Jan 2012 20:39:16 +0000</pubDate>
		<dc:creator>Malcolm</dc:creator>
				<category><![CDATA[CD reviews]]></category>
		<category><![CDATA[Classic Jazz]]></category>

		<guid isPermaLink="false">http://www.rustbooks.com/reviews/?p=203</guid>
		<description><![CDATA[The Doctor Jazz Foundation dates from 1963, and as its website states “has no profits;” in other words, it’s there for the benefit of you, me and the music.  Its publications and output are in Dutch, so although many of us know of its existence, English-speakers don’t generally have a high level of familiarity with [...]]]></description>
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		<title>CD: YEARNING: DICK WILLEBRANDTS EN ZIJN RADIO-ORKEST Stichting (Foundation) Doctor Jazz DJ-008</title>
		<link>http://www.rustbooks.com/reviews/?p=211</link>
		<comments>http://www.rustbooks.com/reviews/?p=211#comments</comments>
		<pubDate>Thu, 26 Jan 2012 20:30:14 +0000</pubDate>
		<dc:creator>Malcolm</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.rustbooks.com/reviews/?p=211</guid>
		<description><![CDATA[I wrote about Doctor Jazz in the review of the Ramblers CD, so I won’t repeat the commercial.  This CD reissues material from the period before the one by the Ramblers; made in 1943, when the Nazi heel was still firmly on the Dutch neck, and doing what you were told was a good idea, [...]]]></description>
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		<title>BOOK: WHEN SWING WAS THE THING – Personality Profiles of the Big Band Era.  By John R. Tumpak.  Marquette University Press  ISBN 978-087462-024-5.  Hardbound, 329 pp., 64 pp. of photos: $35.00</title>
		<link>http://www.rustbooks.com/reviews/?p=151</link>
		<comments>http://www.rustbooks.com/reviews/?p=151#comments</comments>
		<pubDate>Mon, 16 May 2011 19:32:29 +0000</pubDate>
		<dc:creator>Malcolm</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.rustbooks.com/reviews/?p=151</guid>
		<description><![CDATA[More than seven years ago, I wrote of another work:  “There’s still a need for a good, factual textbook on the origins of ragtime and jazz music and the roles of the principal players.”   There still is.  I’ve reviewed several stilted attempts right here over the years; attempts which ranged from highly fanciful to blatantly [...]]]></description>
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		<title>BOOK: PARAMOUNT New York Recording Laboratories L-Matrix Series.  By Guido van Rijn and Alex van der Tuuk.  Agram Blues Books, http://home.tiscali.nl/guido</title>
		<link>http://www.rustbooks.com/reviews/?p=142</link>
		<comments>http://www.rustbooks.com/reviews/?p=142#comments</comments>
		<pubDate>Fri, 13 May 2011 19:08:42 +0000</pubDate>
		<dc:creator>Malcolm</dc:creator>
				<category><![CDATA[Book Reviews]]></category>

		<guid isPermaLink="false">http://www.rustbooks.com/reviews/?p=142</guid>
		<description><![CDATA[Documentation of the L-Matrix series, the latter-day products of those labels we think of broadly as Paramount and Broadway, recorded in Chicago and Grafton, Wisconsin, has been a work-in-progress almost since the New York Recording Laboratories record plant closed its doors in 1932.  John Steiner was a pioneer in the 40s and 50s, Michael Wyler [...]]]></description>
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		<title>BOOK:  CUTTIN’ UP: How Early Jazz Got America’s Ear,  by Court Carney.  Cloth, 219pp., University of Kansas Press, Lawrence, Kansas, ISBN 978-0-7006-1675-6, $34.95.</title>
		<link>http://www.rustbooks.com/reviews/?p=116</link>
		<comments>http://www.rustbooks.com/reviews/?p=116#comments</comments>
		<pubDate>Thu, 12 May 2011 19:10:35 +0000</pubDate>
		<dc:creator>Malcolm</dc:creator>
				<category><![CDATA[Book Reviews]]></category>
		<category><![CDATA[Classic Jazz]]></category>

		<guid isPermaLink="false">http://www.rustbooks.com/reviews/?p=116</guid>
		<description><![CDATA[A year ago, almost to the day, I wrote of another work: “Jazz literature on the pre-war era is falling, in our time, into two broad divisions: one of which shares new angles, new aspects and new learnings; and the other, which extracts concepts from prior efforts of earlier researchers, whose works are quoted as [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>BOOK:  BARRELHOUSE WORDS: a Blues Dialect Dictionary,  by Stephen Calt.  University of Illinois Press, Urbana and Chicago, 286pp., ISBN 978-0-252-07660-2, Cloth ($75.00) and Paper ($26.95) versions available.</title>
		<link>http://www.rustbooks.com/reviews/?p=114</link>
		<comments>http://www.rustbooks.com/reviews/?p=114#comments</comments>
		<pubDate>Thu, 12 May 2011 19:07:21 +0000</pubDate>
		<dc:creator>Malcolm</dc:creator>
				<category><![CDATA[Book Reviews]]></category>
		<category><![CDATA[Classic Blues]]></category>

		<guid isPermaLink="false">http://www.rustbooks.com/reviews/?p=114</guid>
		<description><![CDATA[Every society has its jargon and its linguistic singularities, which its members employ to differentiate themselves from “outsiders” in inclusive or exclusive form.  I have a memory that still gives me a smile, of overhearing an exposition in the café at London Airport, from a Geordie woman to a group of female companions, about early [...]]]></description>
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